PESTalk is a novel method for generating 3D facial animations with personalized emotional styles directly from speech. It overcomes key limitations of existing approaches by introducing a Dual-Stream Emotion Extractor (DSEE) that captures both time and frequency-domain audio features for fine-grained emotion analysis, and an Emotional Style Modeling Module (ESMM) that models individual expression patterns based on voiceprint characteristics. To address data scarcity, the method leverages a newly constructed 3D-EmoStyle dataset. Evaluations demonstrate that PESTalk outperforms state-of-the-art methods in producing realistic and personalized facial animations.

Expressions are fundamental to conveying human emotions. With the rapid advancement of AI-generated content (AIGC), realistic and expressive 3D facial animation has become increasingly crucial. Despite recent progress in speech-driven lip-sync for talking-face animation, generating emotionally expressive talking faces remains underexplored. A major obstacle is the scarcity of real emotional 3D talking-face datasets due to the high cost of data capture. To address this, we model facial animation driven by both speech and emotion as a linear additive problem. Leveraging a 3D talking-face dataset with neutral expressions (VOCAset) and a dataset of 3D expression sequences (Florence4D), we jointly learn a set of blendshapes driven by speech and emotion. We introduce a sparsity constraint loss to encourage disentanglement between the two types of blendshapes while allowing the model to capture inherent secondary cross-domain deformations present in the training data. The learned blendshapes can be further mapped to the expression and jaw pose parameters of the FLAME model, enabling the animation of 3D Gaussian avatars. Qualitative and quantitative experiments demonstrate that our method naturally generates talking faces with specified expressions while maintaining accurate lip synchronization. Perceptual studies further show that our approach achieves superior emotional expressivity compared to existing methods, without compromising lip-sync quality.

Creating personalized 3D animations with precise control and realistic head motions remains challenging for current speech-driven 3D facial animation methods. Editing these animations is especially complex and time consuming, requires precise control and typically handled by highly skilled animators. Most existing works focus on controlling style or emotion of the synthesized animation and cannot edit/regenerate parts of an input animation. They also overlook the fact that multiple plausible lip and head movements can match the same audio input. T o address these challenges, we present 3DiF ACE, a novel method for holistic speech-driven 3D facial animation. Our approach produces diverse plausible lip and head motions for a single audio input and allows for editing via keyframing and interpolation. Specifically, we propose a fully-convolutional diffusion model that can leverage the viseme-level diversity in our training corpus. Additionally, we employ a speaking-style personalization and a novel sparsely-guided motion diffusion to enable precise control and editing. Through quantitative and qualitative evaluations, we demonstrate that our method is capable of generating and editing diverse holistic 3D facial animations given a single audio input, with control between high fidelity and diversity.

Audio-driven facial animation has made significant progress in multimedia applications, with diffusion models showing strong potential for talking-face synthesis. However, most existing works treat speech features as a monolithic representation and fail to capture their fine-grained roles in driving different facial motions, while also overlooking the importance of modeling keyframes with intense dynamics. To address these limitations, we propose KSDiff, a Keyframe-Augmented Speech-Aware Dual-Path Diffusion framework. Specifically, the raw audio and transcript are processed by a Dual-Path Speech Encoder (DPSE) to disentangle expression-related and head-pose-related features, while an autoregressive Keyframe Establishment Learning (KEL) module predicts the most salient motion frames. These components are integrated into a Dual-path Motion generator to synthesize coherent and realistic facial motions. Extensive experiments on HDTF and VoxCeleb demonstrate that KSDiff achieves state-of-the-art performance, with improvements in both lip synchronization accuracy and head-pose naturalness. Our results highlight the effectiveness of combining speech disentanglement with keyframe-aware diffusion for talking-head generation.

Singing-driven 3D head animation is a challenging yet promising task with applications in virtual avatars, entertainment, and education. Unlike speech, singing involves richer emotional nuance, dynamic prosody, and lyric-based semantics, requiring the synthesis of fine-grained, temporally coherent facial motion. Existing speech-driven approaches often produce oversimplified, emotionally flat, and semantically inconsistent results, which are insufficient for singing animation. To address this, we propose Think2Sing, a diffusion-based framework that leverages pretrained large language models to generate semantically coherent and temporally consistent 3D head animations, conditioned on both lyrics and acoustics. A key innovation is the introduction of motion subtitles, an auxiliary semantic representation derived through a novel Singing Chain-of-Thought reasoning process combined with acoustic-guided retrieval. These subtitles contain precise timestamps and region-specific motion descriptions, serving as interpretable motion priors. We frame the task as a motion intensity prediction problem, enabling finer control over facial regions and improving the modeling of expressive motion. To support this, we create a multimodal singing dataset with synchronized video, acoustic descriptors, and motion subtitles, enabling diverse and expressive motion learning. Extensive experiments show that Think2Sing outperforms state-of-the-art methods in realism, expressiveness, and emotional fidelity, while also offering flexible, user-controllable animation editing.

Speech-driven 3D facial animation aims to synthesize realistic facial motion sequences from given audio, matching the speaker's speaking style. However, previous works often require priors such as class labels of a speaker or additional 3D facial meshes at inference, which makes them fail to reflect the speaking style and limits their practical use. To address these issues, we propose MemoryTalker which enables realistic and accurate 3D facial motion synthesis by reflecting speaking style only with audio input to maximize usability in applications. Our framework consists of two training stages: 1-stage is storing and retrieving general motion (i.e., Memorizing), and 2-stage is to perform the personalized facial motion synthesis (i.e., Animating) with the motion memory stylized by the audio-driven speaking style feature. In this second stage, our model learns about which facial motion types should be emphasized for a particular piece of audio. As a result, our MemoryTalker can generate a reliable personalized facial animation without additional prior information. With quantitative and qualitative evaluations, as well as user study, we show the effectiveness of our model and its performance enhancement for personalized facial animation over state-of-the-art methods.

Speech-driven 3D facial animation aims to generate realistic facial movements synchronized with audio. Traditional methods primarily minimize reconstruction loss by aligning each frame with ground-truth. However, this frame-wise approach often fails to capture the continuity of facial motion, leading to jittery and unnatural outputs due to coarticulation. To address this, we propose a novel phonetic context-aware loss, which explicitly models the influence of phonetic context on viseme transitions. By incorporating a viseme coarticulation weight, we assign adaptive importance to facial movements based on their dynamic changes over time, ensuring smoother and perceptually consistent animations. Extensive experiments demonstrate that replacing the conventional reconstruction loss with ours improves both quantitative metrics and visual quality. It highlights the importance of explicitly modeling phonetic context-dependent visemes in synthesizing natural speech-driven 3D facial animation.

Blue markers indicate the attachment points between the underlying mechanical structure and the soft skin, while yellow arrows denote the directions of movement. Blue arrows indicate the three-axis neck movement: nodding, shaking, and rotation. The green arrow illustrates the jaw's ability for horizontal movement in addition to typical opening and closing motions, enabling more diverse expressions. The first row illustrates the virtual expressions generated by our algorithm rendered in Blender, while the second row displays the corresponding real-world expressions reproduced by the animatronic face. Abstract --Previous animatronic faces struggle to express emotions effectively due to hardware and software limitations. On the hardware side, earlier approaches either use rigid-driven mechanisms, which provide precise control but are difficult to design within constrained spaces, or tendon-driven mechanisms, which are more space-efficient but challenging to control. In contrast, we propose a hybrid actuation approach that combines the best of both worlds. The eyes and mouth--key areas for emotional expression--are controlled using rigid mechanisms for precise movement, while the nose and cheek, which convey subtle facial microexpressions, are driven by strings. This design allows us to build a compact yet versatile hardware platform capable of expressing a wide range of emotions. On the algorithmic side, our method introduces a self-modeling network that maps motor actions to facial landmarks, allowing us to automatically establish the relationship between blendshape coefficients for different facial expressions and the corresponding motor control signals through gradient backpropagation. We then train a neural network to map speech input to corresponding blendshape controls. With our method, we can generate distinct emotional expressions such as happiness, fear, disgust, and anger, from any given sentence, each with nuanced, emotion-specific control signals--a feature that has not been demonstrated in earlier systems.

Speech-driven 3D facial animation plays a key role in applications such as virtual avatars, gaming, and digital content creation. While existing methods have made significant progress in achieving accurate lip synchronization and generating basic emotional expressions, they often struggle to capture and effectively transfer nuanced performance styles. We propose a novel example-based generation framework that conditions a latent diffusion model on a reference style clip to produce highly expressive and temporally coherent facial animations. To address the challenge of accurately adhering to the style reference, we introduce a novel conditioning mechanism called style basis, which extracts key poses from the reference and additively guides the diffusion generation process to fit the style without compromising lip synchronization quality. This approach enables the model to capture subtle stylistic cues while ensuring that the generated animations align closely with the input speech. Extensive qualitative, quantitative, and perceptual evaluations demonstrate the effectiveness of our method in faithfully reproducing the desired style while achieving superior lip synchronization across various speech scenarios.

--Audio-driven emotional 3D facial animation encounters two significant challenges: (1) reliance on single-modal control signals (videos, text, or emotion labels) without leveraging their complementary strengths for comprehensive emotion manipulation, and (2) deterministic regression-based mapping that constrains the stochastic nature of emotional expressions and non-verbal behaviors, limiting the expressiveness of synthesized animations. T o address these challenges, we present a diffusion-based framework for controllable expressive 3D facial animation. Our approach introduces two key innovations: (1) a FLAME-centered multimodal emotion binding strategy that aligns diverse modalities (text, audio, and emotion labels) through contrastive learning, enabling flexible emotion control from multiple signal sources, and (2) an attention-based latent diffusion model with content-aware attention and emotion-guided layers, which enriches motion diversity while maintaining temporal coherence and natural facial dynamics. Extensive experiments demonstrate that our method outperforms existing approaches across most metrics, achieving a 21.6% improvement in emotion similarity while preserving physiologically plausible facial dynamics. Recent advancements in audio-driven 3D facial animation [1]-[7] have significantly enhanced realistic virtual characters in virtual reality, digital entertainment, and human-computer interaction.